Galton’s Ox

When it comes to delving into the mysteries of life you’re constantly forging ahead into the unknown. I’m seeing things all the time that I can neither define or describe because it’s all new. The models and language used to describe it are based on what I’m seeing, not the other way around. So what happens is, I’m sitting there in a trance and I’m looking at stuff, but I don’t know exactly what it is I’m looking at. In a general sense, I’m looking ahead to see what’s there, but since I’ve never seen it before I have to guess at how to interpret what I’m looking at. I get “impressions” of it, I have to interpret what those impressions mean. Anyone who tells you this is an exact science is full of doodoo. It’s an intuitive guessing game and that’s what makes it an art and a craft.

Anyway, there has to be some way to define what I’m seeing or I’d never understand it. This is where Correspondences come in… “as above – so below”. For everything I’m looking at that I can’t comprehend, there is something in my conscious or physical world that “corresponds” to it that I can understand. Drawing lines between the two to form accurate correspondences is a good portion of the “Work” I do within The Advocacy. I basically sit there in a trance “connecting the dots” crossing what is unknown with what is known. The lines drawn between the dots are the correspondences, they form “lines of communication” between my unconscious (God) and conscious mind (Man).

This is where being Average comes in to save the day once again. The accuracy of your correspondences depend on it, and when going down the rabbit hole your sanity depends on the accuracy of your correspondences. You need reasonable confidence that you’re correctly interpreting what you’re seeing, but how can you have any faith in a guessing game?

The following article demonstrates just how accurate guessing can be, and how we can play a game that risks so much on guessing, with so much confidence. I hope you understand the concept, it’s also how “representation” is established via The Advocacy’s system of Holy (whole) Correspondence.

Galton’s Ox Experiment:

One day in the fall of 1906, the British scientist Francis Galton left his home in the town of Plymouth and headed for a country fair. Galton was eighty-five years old and beginning to feel his age, but he was still brimming with the curiosity that had won him renown—and notoriety—for his work on statistics and the science of heredity. And on that particular day, what Galton was curious about was livestock.

Galton’s destination was the annual West of England Fat Stock and Poultry Exhibition, a regional fair where the local farmers and townspeople gathered to appraise the quality of each other’s cattle, sheep, chickens, horses, and pigs. Wandering through rows of stalls examining workhorses and prize hogs may seem to have been a strange way for a scientist (especially an elderly one) to spend an afternoon, but there was a certain logic to it. Galton was a man obsessed with two things: the measurement of physical and mental qualities, and breeding. And what, after all, is a livestock show but a big showcase for the effects of good and bad breeding?

Breeding mattered to Galton because he believed that only a very few people had the characteristics necessary to keep societies healthy. He had devoted much of his career to measuring those characteristics, in fact, in order to prove that the vast majority of people did not have them. At the International Exhibition of 1884 in London, for instance, he set up an “Anthropometric Laboratory,” where he used devices of his own making to test exhibition-goers on, among other things, their “Keenness of Sight and of Hearing, Colour Sense, Judgment of Eye, [and] Reaction Time.” His experiments left him with little faith in the intelligence of the average person, “the stupidity and wrong-headedness of many men and women being so great as to be scarcely credible.” Only if power and control stayed in the hands of the select, well-bred few, Galton believed, could a society remain healthy and strong.

As he walked through the exhibition that day, Galton came across a weight-judging competition. A fat ox had been selected and placed on display, and members of a gathering crowd were lining up to place wagers on the weight of the ox. (Or rather, they were placing wagers on what the weight of the ox would be after it had been “slaughtered and dressed.”) For sixpence, you could buy a stamped and numbered ticket, where you filled in your name, your address, and your estimate. The best guesses would receive prizes.

Eight hundred people tried their luck. They were a diverse lot. Many of them were butchers and farmers, who were presumably expert at judging the weight of livestock, but there were also quite a few people who had, as it were, no insider knowledge of cattle. “Many non-experts competed,” Galton wrote later in the scientific journal Nature, “like those clerks and others who have no expert knowledge of horses, but who bet on races, guided by newspapers, friends, and their own fancies.” The analogy to a democracy, in which people of radically different abilities and interests each get one vote, had suggested itself to Galton immediately. “The average competitor was probably as well fitted for making a just estimate of the dressed weight of the ox, as an average voter is of judging the merits of most political issues on which he votes,” he wrote.

Galton was interested in figuring out what the “average voter” was capable of because he wanted to prove that the average voter was capable of very little. So he turned the competition into an im-promptu experiment. When the contest was over and the prizes had been awarded, Galton borrowed the tickets from the organizers and ran a series of statistical tests on them. Galton arranged the guesses (which totaled 787 in all, after he had to discard thirteen because they were illegible) in order from highest to lowest and graphed them to see if they would form a bell curve. Then, among other things, he added all the contestants’ estimates, and calculated the mean of the group’s guesses. That number represented, you could say, the collective wisdom of the Plymouth crowd. If the crowd were a single person, that was how much it would have guessed the ox weighed.

Galton undoubtedly thought that the average guess of the group would be way off the mark. After all, mix a few very smart people with some mediocre people and a lot of dumb people, and it seems likely you’d end up with a dumb answer. But Galton was wrong. The crowd had guessed that the ox, after it had been slaughtered and dressed, would weigh 1,197 pounds. After it had been slaughtered and dressed, the ox weighed 1,198 pounds. In other words, the crowd’s judgment was essentially perfect. Perhaps breeding did not mean so much after all. Galton wrote later: “The result seems more creditable to the trustworthiness of a democratic judgment than might have been expected.” That was, to say the least, an understatement.

 

 

 

Pole Shift

Edgar Cayce predicted a pole shift beginning in 1998. Many people think that this was one of his predictions that never came true.

It happened just like he said, but most of the world may not have noticed. He said there would be a change in the magnetic poles of the Earth, and that this change would be gradual (meaning it may not be immediately recognized). This is commonly interpreted as a physical flipping of the earth’s magnetic poles, but that’s not the only way to interpret it.

The pole shift IS magnetic, but it’s a shift from a dipolar to a unipolar magnetic field. If this were to be physically represented, it would be a shift from having a north and south pole to having a single pole in the center of the earth. It isn’t the physical change that’s important however, the actual shift is a change in the magnetic polarity of your consciousness from dipolar to unipolar.

Our minds are constantly attracted and repelled by two opposite poles – good/bad, love/hate, black/white… you get it, duality. The pole shift gradually shifts your thinking to where you don’t have to choose between A and B all the time, you can choose both as one. Like the song says, “we have freedom of choice, what we want is freedom FROM choice”.

Don’t see any evidence of it?

Look around you anywhere and everywhere, the world we live in is now changing at a rate we can barely keep up with. We are literally swimming in the evidence.

Edgar Cayce’s prediction was right on, timing wise and with everything he said about it. I just thought someone ought to set the record straight.

 

Storytelling

Everyone wants to tell their story, but who wants to listen?

I recently had a conversation with a friend where I threw some of this stuff out there to kind of test how it’s going to be received by normal people living everyday normal lives. By normal, I just mean they’re doing what everyone else is doing and are happy with it, their lives are fine and they aren’t searching for anything beyond that at the moment. More power to them, I’m not suggesting anyone change what’s working for them. What I am suggesting, is that if the same old story isn’t working for you anymore… there’s a new one to tell.

Back to the original point. When I started throwing this stuff out there he made it pretty clear both verbally and non-verbally that he wasn’t really interested in the crap spewing out of my trap at the moment. Fair enough, I kind of summarized what I was up to and left it at that.

Then he began telling me about what was on his mind… a new place he was checking out, a restaurant nearby there and how it was an added benefit because the company he works for does a lot of stuff at that restaurant. I gave it all the “courtesy ear”. I was engaged to a point, but the whole time I was giving off the same non-verbal signals he had. I mean I was trying to listen, but I just couldn’t help my mind wandering off because it had no interest in the story.

We both looked at each other at the same time and realized it. What was happening was a matter of relevance. What I was saying was completely irrelevant to him and what he was saying was completely irrelevant to me… at that moment anyway.

So how do you get people “into” to your story?

I think you need 3 things. You need a good story, you need to be a good storyteller, and you need a captive audience. I believe we have all 3 elements in abundance.

Since it’s your story, it’s up to you to get people into it. You can’t make people listen so that leaves all the other ways of getting them into it. The way I see it, it’s up to me as a storyteller to engage and entertain people to gain their interest. I don’t know how to use all those other ways of getting people into it yet, but I think I’m going to learn… because I LOVE a good story. I love everything about a good story, hearing one, telling one, and I especially love a new story, with new adventure about new discoveries.

I’m hoping all of this will eventually take form into one of those stories, one you don’t hear everyday, one that engages people to the point that they all start participating and taking the adventure with you. I believe it is the greatest story never told, not because it’s my story, but because it’s ours. It really is time to start telling our REAL story.

I already know this is going to happen, people everywhere are already cracking their own novels. Once you start reading the book that contains the story of the Human race, you won’t be able to put it down. One because it’s the most amazing story you’ve ever heard, and two because it’s not just our story, it’s yours.

In the world I see us moving into, we all have our art or craft that we have have perfected, it is our contribution to that world. Nobody works, unless you consider something you love and have absolutely mastered as work. I think in that world, my “mastercraft” is storytelling, I mean the kind of storytelling that shapes realities. It kind of makes sense, I haven’t been able to express any of this stuff for 50 years and this is the way it wants to come out. I have no background in music, painting, dance, sculpture, or any other art form.

My “craft” is Myth, making up the stories that both conceal and reveal what we’re really doing here. My “art” is Storytelling. I’ve been given the biggest story there is to tell, the triumph of the human race against all, and I do mean ALL odds. I’ve been given a captive audience.. who among us doesn’t want to know our “real” story? We’re all bound here dying to live it. The only thing I’m not sure if I’ve been given yet, is the master storyteller skill set.

Joseph Campbell was known as a master of myth and the “man of a thousand stories”. I’d love to tell a whopper that would make him grin from ear to ear.

I don’t really have any personal gurus, but he said a couple of things that were absolutely instrumental in helping me. “Follow your Bliss” and “Know your Tribe”. The first came at a time when I was in a spot, wondering if I should continue on the path I’ve always been on or opt for a “normal” life. It rang thru like explicit instructions for a crucial decision. The second also came at the right time and it was even more like direct communication, letting me know who I am and what I’m a part of. Out of context neither really means anything, in context, they mean everything. Like myth… pretty clever.

 

 

 

 

Oral Tradition

Legend has it that sacred knowledge was never written down but passed on orally from teacher to student.

I don’t think they meant some old guy whispering in some young guy’s ear. I think they mean the old man in you passing it on to the new man in you. This happens orally, but it’s internal… the source of gnostic knowledge.

In my case, it’s like the world’s best teacher paired with the world’s worst student.

We’ll see how that goes 🙂